Sunday, December 5, 2010
Wednesday, December 1, 2010
apparel: the basics
Monday, November 29, 2010
live art & real time (frank smigiel)
Smigiel (SFMoMA curator, and SFAI professor)
*place.
breaking down borders between fine art and the everyday.
Watch the full episode. See more ART:21.
David Ireland:
5oo Cat Street (Mission District).
"a way to heighten awareness around us"
Yayoi Kusama:
Yayoi Kusama - Kusama's Self Obliteration (1967) Part 1
Yayoi Kusama - Kusama's Self Obliteration (1967) Part 2
Yayoi Kusama - Kusama's Self Obliteration (1967) Part 3
Yayoi Kusama's 'Repetitive Vision,' c. 1996, Pittsburgh field seminar
Yayoi Kusama, Infinity Mirror Room (Phalli’s Field), 1965, sewn stuffed fabric, mirrors, 360×360 x 324 cm. Installation, Floor Show, Castellane Gallery, New York.
Yayoi Kusama, Self-Obliteration by Dots (detail), 1968, performance, documented with black-and-white photographs by Hal Reif.
Yayoi Kusama - Ascension of Polkadots on the Trees
Ascension of Polkadots on Trees, Singapore Biennale 2006. Taken by Terence Ong in September 2006.
Yayoi Kusama, "Infinity Mirror Room—Phalli's Field (Floor Show)" (1965-98). Sewn
stuffed fabric, board, mirror room without ceiling, 8 x 15 x 15 ft.
Yayoi Kusama, Mirror Room (Pumpkin), 1991,
Mirrors, wood, papier mâché, paint,
200 x 200 x 200 cm.
Collection, Hara Museum, Tokyo.
"This installation was made with mirrors to create a dizzying effect where Kusama’s dots appear to go on and on into infinity. The room is orange, like a pumpkin, which Kusama later left as a public artwork for a museum in Japan." -http://www.truetotheblue.com
ACCUMULATION #1, 1963object, 150 x 110 x 110 cm
Dieter Roth:
Richard Serra:
Richard Serra at MoMA - Torqued Ellipse IV (1998)
speaking on the sculpture and it's environment: http://www.guggenheim.org/new-york/collections/collection-online/show-full/piece/?search=Richard%20Serra&page=2&f=People&cr=12
*time.
birth and death of aesthetic.
William Kentridge (birth and death):
birth and death (chaos and order) Return.
revolving objects that become an image at certain point of the revolution for a split second while smoothing moving through revolutions.
Dieter Roth (immortality):
aesthetic passed down to three generations.
with Björn Roth. Gartenskulptur (garden sculpture) 1968-1996
David Ireland (duration?):500 Cat Street. (duration? quotes on?)
Francis Alÿs (captured time as the only aesthetic with nothing else left):
Francis Alÿs - Algunas veces el hacer algo no lleva a nada
Richard Serra:
colorizes for 8-10 years (some may claim painterly quality in these years) but Serra knows that after this time period the color will turn flat dark amber and will remain so for the rest of its lifetime.
Richard Serra Talks with Charlie Rose
Richard Serra The Matter of Time Guggenheim Bilbao Spain
The Matter of Time, 2005. Installation of seven sculptures, weatherproof steel, Varying dimensions. Guggenheim Bilbao Museoa GBM1996-2005
from ( http://www.guggenheim.org/new-york/collections/collection-online/show-full/piece/?search=Richard%20Serra&page=2&f=People&cr=12 ) "
There is also the progression of time. There is the chronological time it takes to walk through and view The Matter of Time, between the beginning and end of the visit. And there is the experiential time, the fragments of visual and physical memory that linger and recombine and replay."
*identity.
dependency, fulfillment, personalities...
Andrew Andrew:
past 10(?) years dressing exactly the same.
DJs Andrew Andrew Meet Gilbert & George
Brooklyn Museum
Andrew Andrew's Joy
from their youtube channel: AndrewAndrew TubeTube
MoMA Party in The Garden ~ Steppin' & Repeatin' #1
The 2010 Whitney Art Party ~ Steppin' & Repeatin'
(ex. of them correcting each other as to what the appropriate way to appear)
Waves of Mu ~ Andrew Andrew Dinner Theatre
ANDREW ANDREW PLUS PLUS (By Tristan)
_________________________
J. Morgan Puett
CCA Graduate Lecture Series
David Schafer at Mildred's Lane 2010 "Sad Pavilion" excerpt 2
more dieter roth:
Saturday, November 27, 2010
'crowd-surfer' women's low-top
images taken from our time performing at HARD HALLOWEEN 2010.
a total of 20,000 people over 2 days: the Shrine; Downtown Los Angeles
Thursday, November 25, 2010
graffgirl artwork by graffgirl rachelSTK
HARD SUMMER 2010:
[brinaSTK, sherraSTK, and herself from left to right]
HARD HALLOWEEN 2010 (day 1):
[herself, ktSTK, gracieSTK, and wendySTK]
Sunday, November 21, 2010
Monday, November 8, 2010
Saturday, November 6, 2010
Wednesday, November 3, 2010
HARD HALLOWEEN 2010
backstage VIP both days. the shrine, Downtown Los Angeles. (day2 girls above) (day1 girls cominggg as well as video, and some footage of them dancing on stage for Tommy Lee).
^^^barbSTK found this for me. she says dont blink or ull miss us ;) i think they show up twice. 2:26 is a baddass shot of the girls on day2.
ill look for more vids and post my own ♡
________________________________________________________________
fan art:
-i was standing in line starving, waiting for some tea and a muffin when a girl behind me compliments my outfit. i believe i recognized her as literally a face in one of my crowd photos at this event and she says yup thats her :) and she shows me this picture on her phone of a canvas she is painting of ktSTK wearing my day of the dead piece i had done for the event. small world, talented fans haha.
painting in progress by lauren schatzel of ktSTK wearing my day of the dead piece at HARD Halloween 2010.
-quick painting from memory by sam mell of wendySTK and spencer walking through the massive amounts of empty waterbottles after the shrine was cleared out.
graffgirl art:
illustration done by my graff girl at the event, rachelSTK, of herself and the other girls wearing the pieces i painted on them for day 1.
[herself, ktSTK, gracieSTK and wendySTK from left to right]
merch [graffgirl bling]:
'crowd surfer' women's low-top
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